Ambra Sans Text Trial Medium Italic

Ambra Sans Text Medium Italic is a sleek and professional font that exudes class and sophistication. Designed by Francesco Canovaro, this sans serif font is perfect for branding, logos, headings, and body text in a variety of projects. Its italic style adds an elegant touch to any design while still maintaining its legibility. This versatile font can be used in digital or print media such as websites, magazines, books or even luxury fashion brand campaigns. Whether you're looking to create a modern and minimalist aesthetic or something more timeless and traditional, Ambra Sans Text Medium Italic is the perfect choice for your next project.

The font here is for PERSONAL/NON-COMMERCIAL USE ONLY!

To download the full font family (all weights, glyphs and numbers) and acquire the commercial license please visit our website:
https://zetafonts.com/ambra-sans

Join the exclusive Type Club to get free fonts and special offers on new releases!
https://www.zetafonts.com/typeclub

CONTACT US:
website: https://www.zetafonts.com
have a question?: info@zetafonts.com

---

Designed by Cosimo Lorenzo Pancini with Francesco Canovaro as a development and reinvention of Tarif by Andrea Tartarelli, Ambra is a humanist sans typeface family, drawn around a lively, expressive skeleton but developed with a contemporary, post-digital sensibility that implies low contrast and tall x-height.

In designing Ambra, the authors wanted to research the elusive natural signature of handmade humanist letter shapes, in the effort of preserving it while still developing all the capabilities of type as a technical tool in the digital age. Like a frail insect preserved in amber, humanist design is the "ghost in the machine" of this font, that aims at seducing the viewers with its soft, welcoming text flow, firmly opposing the rigid, formal tone of most sans serif fonts. Born to provide a useful tool to graphic designers with branding and editorial needs,   

Ambra develops around two subfamilies with slight but fundamental differences. The display family offers a taller x-height, optimizing readability and spacing in headings and display use, while offering a single story lowercase g to provide more consistent branding usage. The text family, on the other side, goes for a smaller x-height to give more traditional proportion to the text and removes the slight tapering in the stems to provide better rendering on screen in small formats.

Both subfamilies of Ambra develop around a wide range of seven weights with corresponding true italics, with Ambra Display sporting an extra heavy weight for maximum versatility. In total the family counts 30 fonts, each with over 600 glyphs for a wide language coverage. Open type features and glyph alternates further enrich the usage possibility of this typeface that wants to offer contemporary designer an alternative, unexpectedly human approach to contemporary sans type, softly preserving the spirit of handmade calligraphy while encasing its frail nature in a transparent, strong and powerful design language.