Bruta Woodcut
TrueTypeFreeware
- Akcenty (częściowe)
- Akcenty (pełne)
- Euro
Bruta_Woodcut.ttf
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Uwaga autora
Bruta Woodcut font is an eroded display font designed by Ingo Zimmermann.
An alphabet originally carved in wood
The German term for characters or letters is Buchstaben, literally Buche (beech) and Stab (rod or stick), and dates back to the Germanic custom of carving runic characters in beechwood sticks. On New Years Eve, 2014, I used the occasion to cut real beech characters myself. I carved all the characters of this font in woodcarving manner, without tracing and mirror-inverted, in smoothly planed beech rods. After printing on paper, the digital font you see here was created from the negative typeface.
Originally planning an alphabet of capital letters only, I ended up carving figures, punctuation marks and lower case letters after all. The capital letters emphasize alternation between bold and fine strokes, which is familiar in Roman typefaces. In this way, the upper case text in Bruta Woodcut obtains its very own aesthetics.
The ductus on the lower case letters is plainly not as distinct. They look more like a classical sans serif, which becomes clear as the smaller a text is set in Bruta Woodcut, the more legible it becomes.
The original image was negative. In contrast, the font consists of the positive typeface. Bruta Woodcut includes lots of ligatures and stylistic alternates for some symbols.
Thanks to OpenType and Unicode, Bruta Woodcut supports all Western European languages plus Central and Eastern European languages as well as Turkish.
An alphabet originally carved in wood
The German term for characters or letters is Buchstaben, literally Buche (beech) and Stab (rod or stick), and dates back to the Germanic custom of carving runic characters in beechwood sticks. On New Years Eve, 2014, I used the occasion to cut real beech characters myself. I carved all the characters of this font in woodcarving manner, without tracing and mirror-inverted, in smoothly planed beech rods. After printing on paper, the digital font you see here was created from the negative typeface.
Originally planning an alphabet of capital letters only, I ended up carving figures, punctuation marks and lower case letters after all. The capital letters emphasize alternation between bold and fine strokes, which is familiar in Roman typefaces. In this way, the upper case text in Bruta Woodcut obtains its very own aesthetics.
The ductus on the lower case letters is plainly not as distinct. They look more like a classical sans serif, which becomes clear as the smaller a text is set in Bruta Woodcut, the more legible it becomes.
The original image was negative. In contrast, the font consists of the positive typeface. Bruta Woodcut includes lots of ligatures and stylistic alternates for some symbols.
Thanks to OpenType and Unicode, Bruta Woodcut supports all Western European languages plus Central and Eastern European languages as well as Turkish.
Mapa znaków
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Podstawowe informacje o czcionce
Prawa autorskie
Copyright (c) 2015 by Ingo Zimmermann. All rights reserved.
Rodzina czcionki
Bruta
Podrodzina czcionki
Woodcut
Wyjątkowa identyfikacja podrodziny
IngoZimmermann: Bruta Woodcut: 2015
Pełna nazwa czcionki
Bruta Woodcut
Nazwij Wersję tabelki
Version 1.007
Postscriptowe imiona czcionki
Bruta-Woodcut
Zawiadomienie o znaku towarowym
Bruta Woodcut is a trademark of Ingo Zimmermann.
Producent
Projektant
Opis
Copyright (c) 2015 by Ingo Zimmermann. All rights reserved.
Rozszerzone informacje o czcionce
Obsługiwane platformy
PlatformaKodowanie
UnicodeUnikod 2.0 a nasledovná sémantika, tylko BMP unikod
MacintoshAntykwa (roman)
MicrosoftTylko BMP unikod
Szczegóły czcionki
Stworzony2015-01-06
Korekta1
Liczba znaków364
Jednostki po Em1000
Prawa osadzeniaOsadzania dla stałych instalacji
Klasa rodzinyWolne szeryfy
GrubośćPółgruba
SzerokośćŚrednio rozszerzone
Styl MacPogrubiony
KierunekTylko znaki skierowane od lewej do prawej + zawiera neutralie
Natura wzoruRegularny
GęstośćNierówny